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Saturday 22.11.25, 9:30-11:00, Harpsichord Competition Final

 

Prix 2025 Harpsichord Competition Final

 

Finalists of the 2025 competition for young harpsichordists, specialising in performance of new music, perform a selection from their chosen program, competing for the festival’s prize.

Buy your ticket via the Orgelpark website:

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Saturday 22.11.25, 20:15, Jury and former prize winners’ concert

 

Many happy returns

 

Prizewinners from past editions of the competition, composers and performers alike, return and bring exciting new musical works with them - some brand new, and some returns to the past. Joined by some of the festival’s most familiar faces and Black Pencil Prize members, jury members take their expertise on the podium, side-by-side.

 

Elena Khurgina

Yuri Akbalkan (*1986), Prooemium praeter rem for Bohlen-Pierce harpsichord and electronics (2025/26, premiere presentation of the work-in-progress)

 

Yuri Akbalkan’s Prooemium praeter rem (2025) explores the sonic world of the Bohlen–Pierce harpsichord. Drawing on the unique 13-step non-octave scale discovered in the 1970s, this piece blends Renaissance and Baroque harpsichord traditions with sensors, effects pedals, and live electronics.

The work was commissioned by the Musikstadtfonds of the Ministry of Culture and Media Hamburg.

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Busy Drone

Roderik de Man: Bella La Vita

 

Liubov Titarenko & Yu Oda

Yu Oda: Premiere of a new work (title tbd) for harpsichord, electronics and live images

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Menno van Delft

Roderik de Man: Bella La Vita

 

Menno van Delft & Matthijs van der Moolen

Giovanni Martino Cesare (c1590-1667):  La Hieronyma 

from “Musicali Melodie” (1621)

 

Giovanni Maria Radino (second half 16th century): Gagliarda Quarta  

from “Il primo libro d’intavolatura di balli d’arpicordo”, Venice, 1592   

 

Matthijs van der Moolen (*1994): Diminuties naar Ganassi over het Doulce Memoire van Pierre Sandrin (c1490-c1561) 

 

Martijn Padding (*1956): Fourth Piece for Sackbut Solo (2024) 

(fragment) 

 

Rocco Rodio (c1530/40 – after 1615?): Salve Regina  

from “Libro di Ricercate” (1575)

 

Diego Ortiz (c1510–c1576): Recercada sobre tenores Italianos  

from “Trattado de Glosas”  (1553)

 

Black Pencil & Ere Lievonen 

Andys Skordis: "Uz...u" (2020) for Black Pencil and harpsichord 

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Elena Khurgina, Kristian Nyquist and Liubov Titarenko

Roderik de Man: Bella La Vita for 2 harpsichords and organ

 

Kristian Nyquist 

Karel van Steenhoven: Future Cries from the Past (2024-25), for harpsichord and tape, world premiere

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Buy your ticket via the Orgelpark website:

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© 2012-2025 by 

Annelie de Man Foundation

Prix Annelie de Man 2025 is supported

by these funds & partners:

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