29 November - 03 December

Opening Concert: 22 May 2018, 20.15 hrs

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Elliott Carter (1908-2012): Double Concerto for  harpsichord, piano and 2 chamber orchestras (1959-61)

Wesley Shen | harpsichord

Paolo Gorini | piano

Jos Zwaanenburg | conductor

Conservatorium van Amsterdam ensemble

 

Fabien Cali (1983): Crossroads (2018)

Laure Morabito | harpsichord

Fabien Cali | electric guitar

 

Louis Andriessen (1939): Workers Union (1975)

Harpsichordists | Wesley Shen | Gosia Klajn | Machiko Suto | Silvia Marquez | Ere Lievonen | Justine Charlet

Jorge Isaac | blockflute; Matthijs Koene | panflute; Esra Pehlivanli | viola; Marko Kassl | accordion; Enric Monfort | percussion;

Jan Hage | organ; Conservatorium van Amsterdam ensemble; Jos Zwaanenburg | conductor

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Evening Concert - Xenakis: 23 May 2018, 20.15 hrs

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Iannis Xenakis (1922-2001): Naama (for harpsichord solo, 1984)

Kristian Nyquist | harpsichord

 

Iannis Xenakis (1922-2001): Gmeeoorh (for organ, 1974)

Jan Hage | organ

 

J. S. Bach (1685-1750): Die Kunst der Fuge, BWV 1080, Contrapunctus XIV (finished by R. de Man 2017)

Jorge Isaac | blockflute, Matthijs Koene | panflute, Esra Pehlivanli | viola, Marko Kassl | accordion

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Announcement Finalists harpsichord competition

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Iannis Xenakis (1922-2001): Rebonds B (for percussion, 1987-1989)

Enric Monfort | percussion

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Late Night Special: 23 May 2018, 22.00 hrs

Roderik de Man (1941): Distant Mirror (1996) for harpsichord and delays

Silvia Marquez | harpsichord, Justine Charlet (winner of the Prix Annelie de Man 2012) | harpsichord

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'Unboxing XVII’

A videoclip by Joaquín Clares on Roberto Sierra’s Montuno (2018)

 

Olli Moilanen (1987): Trio+1 (2017)

Ensemble Ugly Pug (recorder, viola da gamba, harpsichord, live electronics and video) 

 

Jami Kianto (1991)

The Playthrough (2017)

Ensemble Ugly Pug (recorder, viola da gamba, harpsichord and live electronics) 

 

Arnoud Noordegraaf (1974): Pong (2004)

Gosia Klajn (winner of the Prix Annelie de Man 2015) | harpsichord

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Evening Concert: Composers Competition Finals and Black Pencil Sit Fast programme

24th May 2018, 20.15 hrs

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Pablo Peula (1990): Through the looking-Glass (2013)

Jane Chapman | Harpsichord

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Brechtje (1993): Marble Grit (2017)

Ere Lievonen | Harpsichord, Ensemble Black Pencil

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Bernhard Klapprott (1964): B-A-C-H Perpetuum Mobile (2016)

Bernhard Klapprott | Harpsichord, Eszter Szedmák | Harpsichord

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Aart Strootman (1987): Anachronism 1 (2017)

Silvia Marquez | Harpsichord, Ere Lievonen | Harpsichord, Machiko Suto | Harpsichord, Jane Chapman | Harpsichord

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Ailís Ní Ríain: 2 steep 4 sheep (some hills are...) (2006)

Silvia Marquez | Harpsichord

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Leo Grant (1982): Now distortions (2016)

Silvia Marquez | Harpsichord

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Margareta Ferek-Petric (1982): IŠTARATU (2016)

Maja Mijatovic | Harpsichord

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Black Pencil, Sit Fast programme

(all early music works from the Royal Manuscript RM 24 d 2, 1581-1606)

John Baldwine (?-1615): Browninge

Christopher Tye (c1505 - c1572): Sit Fast (arranged by Roderik de Man, 2018)

John Baldwine (?-1615): Coockow

John Baldwine (?-1615): Sermone Blando, Angelus

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Lunch Concert - Black Pencil Prize

25 May 2015, 14.30 hrs

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Piotr Beciński (1994): APOTHEOSIS (2017)

 

Cinzia Nistico: Obscure alternatives (2017)

 

Brechtje (1993): Marble Grit (2017)

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Otto Wanke (1989): Aer (2017)

 

Alfred Momotenko (1970): Danco Konsonanco (2017)

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Ensemble Black Pencil

Jorge Isaac | blockflute, Matthijs Koene | panflute, Esra Pehlivanli | viola, Marko Kassl | accordion, Enric Monfort | percussion

Ere Lievonen | harpsichord (special guest)

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Jury Concert

25 May 2015, 20.15 hrs

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Documentary: Annelie de Man Harpsichordist

A film by Andras Hamelberg (2015)

 

Leo Loebenberg (1976): Facing the flow (2017)

Jane Chapman | harpsichord + electronics

 

Improvisation

Guus Janssen | harpsichord & organ

 

Peter Jakober (1977): dringen (2018)

Maja Mijatovic | harpsichord & electronics

 

Roderik de Man (1941): Elongated Fingers (2017)

Menno van Delft | clavichord

 

Terri Hron (1977): Celeste forma, anzi lucente stella (2015)

Ere Lievonen | harpsichord, Anne Veinberg | piano

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Closing Concert & Winners Announcement

26 May 2018, 20.15 hrs

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Utku Asuroglu (1986): Hayirli Olsun (2012)

Ere Lievonen | harpsichord, Enric Monfort | percussion, Ignas Filonovas |  trombone, Anne Veinberg | piano,

Jos Zwaanenburg | conductor

 

Eetu Lehtonen (1989): Wormhole (2017)

Ensemble Ugly Pug + live electronics

 

Ko Sahara (1989): Mask (2016)

Machiko Suto | harpsichord, Yi-Chang Liang | recorder

 

Roberto Sierra (1953): Montuno en forma de chacona (2017)

Silvia Marquez | harpsichord

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Hannes Dufek (1984): arresting images (2014/2017)

Hannes Dufek | electronics, Maja Mijatovic | harpsichord, Ere Lievonen | harpsichord, Silvia Marquez | harpsichord, Machiko Suto | harpsichord

 

PRIZES ANNOUNCEMENTS

the winner of the Harpsichord Competition performs again

 

Roderik de Man (1941): La Volta XL  (2016, rev. 2018)

Jorge Isaac | blockflute, Matthijs Koene | panflute, Esra Pehlivanli | viola, Marko Kassl | accordion, Enric Monfort | percussion

Ere Lievonen | harpsichord, Laurens de Man | organ

all other harpsichords at the end

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Interior 123

Virtual Reality installation, Foyer Orgelpark

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Everyday for 1 hour before and after each evening concert.

Music: Florian Magnus Maier | Virtual Reality images: Marcel Wierckx

Concept: Jorge Isaac | Performed by Black Pencil

 

The quest for brutal expression in the work of Spanish-Catalan surrealist master Joan Miró (1893-1983) can be compared to the effect one aims to create with Virtual Reality: power, total immersion, clarity, impact. Miró visited the Netherlands in 1928, and in awe of the old masters, especially Vermeer, decided to re-paint his own idiosyncratic, abstract versions of three works originally painted by Jan Steen and Hendrik Martenszoon Sorgh. He called them Dutch Interiors.

 

These three ‘Dutch Interior’ paintings form the theme of this production: a Virtual Reality production lasting six minutes, running on a continuous loop. The visuals are presented in 360-degrees, in three virtual spaces. Each space corresponds to different rooms recorded in the Amsterdam Rembrandt’s house.

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